Bill Devil
Posted in Uncategorized on 01/25/2012 04:04 am by admin
Bill Devil
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US $500.00
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Devil $69.99 Devil |
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The Devil $11.97 The Devil |
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Climber on the West Face of the Devil's Tower $39.99 Bill Hatcher Climber on the West Face of the Devil's Tower - Photographic Print |
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The Devil She Knows By Loehfelm, Bill $31.64 Struggling with a deadend job and a strained relationship with her mother, Maureen witnesses a gay encounter between a coworker and an aspiring politician and is threatened into silence, a situation that is complicated by the coworkers suspicious death. By the awardwinning author of Fresh Kills. 35,000 first printing. Author: Loehfelm, Bill Publication Date: 2011/05/24 Number of Pages: 322 Binding Type: Hardcover Language: English Depth: 1.00 Width: 6.25 Height: 9.25 |
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The Devil's Rejects $9.92 Directed by the prolific Rob Zombie, The Devil's Rejects is a sequel of sorts to 2003's House of 1000 Corpses, and picks up several weeks after House left off. This time, the clash revolves around the tribe of violent lunatics and decidedly valueless family members of the original film, who have come to be known as the "Devil's Rejects." After learning of the extended family's horrific attacks, a SWAT team is sent to take them into custody; all but their crazed Mama escape. In addition to creating a full-fledged media circus, this sends the sociopath housemates on the run, and they initiate a deadly road trip. Meanwhile, Mama has to deal with a violent, vengeful sheriff (William Forsythe). The Devil's Rejects features Bill Moseley, Sid Haig, Sheri Moon, Michael Berryman, and Ken Foree, among other cult horror regulars. ~ Tracie Cooper, Rovi |
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Bill $10 Bill |
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DJ Muggs/Ill Bill - Kill Devil Hills [PA] [8/24] * $13.85 Disc 0:No track list availableDisc 1:Cult AssassinTrouble ShootersPaul StanleyIlluminati 666Amputated SaintSkull & GunsGiants StadiumOwl, TheMillenniums of MurderChase ManhattanLuciferian ImperiumIll Bill TVSecrets Worth Dying For2013Kill Devil HillsNarco Corridos |
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Devil Devil $10 Devil Devil - Gwen Stacy |
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Dust Devil $7.98 The surprising part about this CD is that it is not more avant-garde, considering the musicians who are involved. Multi-reedist Steve Adams is one of the founders of Rova, Bill Horvitz has long been one of the most adventurous of jazz guitarists, and drummer Joseph Sabella has played with Derek Bailey, John Zorn, and Vinny Golia. As a trio, they perform fairly melodically on some of the eight originals (seven by Horvitz), building up their improvisations slowly and logically. Ballads ("Dust Devil" and the haunting "Occurs to Me") alternate with more fiery improvs ("Watch Your Back" and the rockish "Tic"), with the catchy "Guadeloupe" being a highlight. Horvitz is such a complete player that one does not notice the lack of a bassist. The versatile Adams switches between his reeds, adding variety to the ensembles, while Sabella is very attentive, supportive, and stimulating. The musicians let the music breathe and the result is a superior disc well worth several listens. ~ Scott Yanow, Rovi Performers: Bill Horvitz - Guitar; Joe Sabella - Drums; Steve Adams - Flute (Bass), Sax (Tenor), Saxophone, Sax (Soprano), Sax (Alto), Bass, Flute |
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The Devil and Max Devlin $8.91 The title character, a nasty landlord (Elliott Gould), is killed in a car accident and descends into hell. There he meets the Devil (Bill Cosby), who promises him his life back if he can find three people willing to sell their souls in three months. ~ John Bush, Rovi |
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Devil and Max Devlin, The $12.74 The title character, a nasty landlord (Elliott Gould), is killed in a car accident and descends into hell. There he meets the Devil (Bill Cosby), who promises him his life back if he can find three people willing to sell their souls in three months. ~ John Bush, Rovi |
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The Devil and Max Devlin - $12.99 The title character, a nasty landlord (Elliott Gould), is killed in a car accident and descends into hell. There he meets the Devil (Bill Cosby), who promises him his life back if he can find three people willing to sell their souls in three months. ~ John Bush, Rovi |
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Buffalo Bill, Jr., Vol. 6 - B&W $5.99 Includes:Buffalo Bill, Jr.: Fugitive From Injustice (1955) Buffalo Bill, Jr.: The Devil's Washbowl (1955) Buffalo Bill, Jr.: The Six-Gun Symphony (1955) Buffalo Bill, Jr.: Rough-Shod (1956) Buffalo Bill, Jr.: Fugitive From Injustice No synopsis available. Buffalo Bill, Jr.: The Devil's Washbowl No synopsis available. Buffalo Bill, Jr.: The Six-Gun Symphony No synopsis available. Buffalo Bill, Jr.: Rough-Shod No synopsis available. |
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Sympathy for the Devil $6.39 As a means of promoting a DVD reissue of Jean-Luc Godard's 1970 film Sympathy for the Devil (which depicts the 1968 recording session that produced the Rolling Stones' song), ABCKO Records has released this seven-track CD single, running over 38 minutes, which contains remixes of "Sympathy for the Devil" by the Neptunes, Fatboy Slim, and Full Phatt (each presented in a "Radio Remix" and a "Full Length Remix"), plus the original Stones track. Since the song has a distinctive percussion part played by Stones drummer Charlie Watts and conga player Rocky Dijon, it's interesting that all the remixers begin by eliminating that part. But then, that's in the nature of the "remix" business, which tends to involve newly recorded rhythm tracks. The Neptunes retain Mick Jagger's vocal and Keith Richards' guitar solos, their new underlying track at first having an Indian flavor complete with sitar licks. Halfway through, a backing of acoustic guitar and string-like sounds replaces the Indian track. Fatboy Slim likes Nicky Hopkins' piano part and keeps it along with the vocal, laying in a characteristic stop-and-start electronica percussion part. Full Phatt is also fond of the original piano, and his percussion track has a more bass-heavy feel. Of course, when the original recording comes on at the end, it wipes the floor with the remixers. (The CD features a three-dimensional image of the Stones' tongue logo on the cover.) ~ William Ruhlmann, Rovi Performers: Bill Wyman - Maracas, Vocals (Background); Anita Pallenberg - Vocals (Background); Brian Jones - Vocals (Background); Marianne Faithfull - Vocals (Background); Rocky Dijon - Conga, Vocals (Background); Charlie Watts - Vocals (Background), Drums; Keith Richards - Vocals (Background), Bass, Guitar; Mick Jagger - Vocals (Background), Vocals; |
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Pay the Devil $11.14 Pay the Devil, an album-long foray into country music, shouldn't come as a surprise to Van Morrison fans. It's a logical extension of his love affair with American music. Certainly blues, R&B, soul, and jazz have been at the forefront, but one can go all the way back to the Bang years and find "Joe Harper Saturday Morning," or songs on Tupelo Honey that touch country. More recently, You Win Again, with Linda Gail Lewis, offered two Hank Williams tunes and "Crazy Arms." The Skiffle Sessions with Lonnie Donegan offered traditional Southern tunes including Jimmie Rodgers' "Mule Skinner Blues." Morrison's lyrics have also referenced country music blatantly. Pay the Devil comes from direct sources of inspiration: his father's skiffle band and Ray Charles' historic forays into country on the two volumes of Modern Sounds in Country and Western Music in 1962. The evidence lies in three cuts on this disc, all of which Charles recorded: Curley Williams' "Half as Much," Art Harris and Fred Jay's "What Am I Livin' For," and Hank Williams' "Your Cheatin' Heart." Morrison's a cagey one: his own mercurial versions of these nuggets are more traditional than those of Charles, yet are steeped in similar production styles that offer a clear nod to the late artist. While there are no horns on Pay the Devil, the layers of strings on top of "fiddles" and honky tonk pianos -- as well as earlier pedal steel styles -- are giveaways. And then there is the voice. Like Charles, Morrison is a soul singer no matter what he sings and he digs into these tomes with fire and the uncommon sweetness of tone and limited timbre that Charles did. But Morrison re-creates these tunes in his own image too. Recorded in Belfast with his own band, Pay the Devil flows seamlessly from start to finish over 15 cuts. It opens with a killer read of "There Stands the Glass," which is brave considering it's synonymous with Webb Pierce (one of two here -- the other is "More and More"). It's drenched in pedal steel, electric guitar, and a pair of basses. The fiddle floats just above the upright piano and a swell of strings in the bridge. It drips with a swaggering loneliness and gets the full weepy treatment with Geraint Watkins' piano solo. "Things Have Gone to Pieces," written by Leon Payne, is full of wasted self-pity and honky tonk desolation. Once more it's a daring move given how closely associated the song is with George Jones. In the grain of his lionhearted voice, Morrison tears it back to its essence as a country-blues song. Morrison outdoes himself on Clarence Williams' "My Bucket's Got a Hole in It," turning it into a rockabilly shuffle. Billy Wallace's "Back Street Affair" is full of barroom soul. Bill Anderson's "Once a Day" is given the full '60s countrypolitain treatment here, with strings and a full backing chorus that could almost be the Anita Kerr Singers. "What Am I Living For" is a tune closely associated with Conway Twitty in his prime. Morrison's version touches on the original |